The Top Ten Things I learned at USC Orientation:

10. Orange hair is intimidating.
9. Women with moderate to severe cases of man-face should still wear bras.
8. Nothing beats the view from floor 11 of Fluor tower.
7. Wahoo’s Fish Tacos will become a staple of my diet.
6. So will Krispy Kreme donuts.
5. I will gain weight, even though the gym is right next door.
4. My ability to pretend like I enjoy reading will be tested.
3. The coldest it gets at USC is the warmest it gets at my current residence.
2. Five-dollar shakes actually exist in California, and they are indeed quite tasty.
1. Tylenol PM can turn clouds into all the colors of the rainbow.

I haven’t been around much lately. I apologize for this; there is simply no excuse.

Something I really dislike is icebreakers. You know, those games you play in awkward group situations to try to ‘get to know’ everybody. They never work. People either try too hard to make a certain impression or, alternatively, don’t try at all and, typically, end up losing my interest.

A question that might commonly come up in one of these games is, “What is something most people don’t know about you?” or “Tell us something unique and interesting about yourself.”

I firmly believe that there is something unique and interesting about everyone, but such things never come up in these games. People always resort to mundane things like unique places they’ve lived, unusual hobbies they’ve maintained, or weird formations they can make with their tongues.

Let’s pretend I’ve been asked to play this game. A few things that, in the past, I would have shared:

1. I lived in Saudi Arabia
2. I’ve never broken a bone
3. I can’t whistle
4. I like to cook

The list pretty much ends there, though I would occasionally make up a hobby like stamp or rock collecting just to seem normal. Seriously, though, what’s normal about either of those two things?

Anyway, I’m really disappointed in myself for never sharing what is clearly the most unique and interesting thing about me in such settings. From the ages of 7 to 11, I didn’t eat a single bite with a fork. Just spoons. Maybe an occasional knife. But no forks.

The reason for doing so is, of course, completely irrational, but I’ll share nonetheless. My best friend, for a long time, was a kid named Teddy. We had a lot in common, and I really enjoyed spending time with him. However, Teddy didn’t value personal hygiene quite as much as myself. One morning, after Teddy had slept over, my parents made us breakfast. As Teddy took one bite after another of syrupy french toast, I became fixated on all the germs that were clearly escaping from Teddy’s polluted mouth and attaching themselves onto the prongs of his fork.

So repulsed by the thought, I vowed to never stick that fork in my own precious mouth. The only way to do so was to invent a more logical excuse. I carefully informed my parents of the dangers of forks, mostly the chance that a prong, if misdirected, could cause serious damage to the inside of my mouth.

Amazingly, they bought it. Well, maybe not, but they were willing to accept it as just one of those ‘phases’. Bemusement gave way to amusement, and they were able to have a private laugh about it.

Salads, steaks, and spaghetti certainly presented a challenge, but nothing was as discomforting for a shy pre-adolescent as coyly asking waiter after waiter for a spoon. Most of them didn’t question me, but those who did received an intimidating stare from my 9-year-old eyes. My parents, I’m sure, joked uncomfortably with them.

The end came too soon, when, at a Rainforest Cafe in Houston, I just had to give up. We had waited forever, my body was changing, and it looked delicious. Leave it to sausage.

It was a cool time in my life, and I was finally able to fully exploit it in a few college essays last fall. Hopefully you care.

Pure magic.

1. “Take on Me”, a-ha
2. “Heat of the Moment”, Asia
3. “Livin’ on a Prayer”, Bon Jovi
4. “Dancing in the Dark”, Bruce Springsteen
5. “Summer of ‘69″, Bryan Adams
6. “Sunglasses At Night”, Corey Hart
7. “(I Just) Died in Your Arms”, Cutting Crew
8. “The Boys of Summer”, Don Henley
9. “Mr. Blue Sky”, Electric Light Orchestra
10. “Crocodile Rock”, Elton John
11. “Invisible Touch”, Genesis
12. “What is Life”, George Harrison
13. “Sooner or Later”, The Grass Roots
14. “Centerfold”, The J. Geils Band
15. “That’s All”, Genesis
16. “Somebody’s Baby”, Jackson Browne
17. “Jack & Diane”, John Mellencamp
18. “Down Under”, Men at Work
19. “Always Something There to Remind Me”, Naked Eyes
20. “Every Little Thing She Does Is Magic”, The Police
21. “Paint it Black”, The Rolling Stones
22. “We Built This City”, Starship
23. “Who Can it Be Now?”, Men at Work
24. “Magic Carpet Ride”, Steppenwolf
25. “Goodbye Stranger”, Supertramp

I have nothing to say. 

 

As a motivated but ultimately unambitious high school student, I have spent many years devising ways to make myself sound more intelligent than I actually am. One such way involves combining seemingly unrelated and perhaps paradoxical words into a powerfully descriptive packet of knowledge and wisdom.

 

For example, the reasonably familiar phrase “bold assertion” is adequately effective, but I much prefer “assertively bold” as a nearly synonymous replacement.  I suppose much of what I’m speaking of is not so much irregular combinations of words but rather simple transformations and inversions.  All I did in the above case was switch the order and appropriately make assertion an adverb. It sounds better, right?

 

I always expect one of my teachers/readers/graders/peers to see through my superficiality and discover the carefully masked clichés in my writing. Fortunately (pathetically?), this has not yet happened, and I have successfully, thoughtlessly produced several pieces that would have otherwise been mediocre. 

 

In fact, there is one I used a while back on this very blog that has really stuck with me. I used the phrase “thematic artistry” when referring to Joel and Ethan Coen’s agendas in No Country for Old Men.  I could have just said themes, which would have resulted in an equally uninspired but perhaps less impressive analysis.  Did I fool you? Probably not, but hopefully you’re at least intrigued by what a banana steak looks/tastes like.

 

Note: ‘Cupcakes’ rhymes with ‘Steaks’. Mmmmmm…cupcakes.

Which one of these is not like the others??

 

The following is factual.

1. Steven Soderbergh

Best film: Traffic
Worst film: Solaris
Up next: Che Guevara biopics Guerrilla and The Argentine (Soon)

2. Paul Thomas Anderson

Best film: Magnolia
Worst film: Sydney
Up next: Wish I knew

3. Joel and Ethan Coen

Best film: Fargo
Worst film: Raising Arizona
Up next: Burn After Reading (September)

 

Honorable Mentions:
David Fincher (Zodiac)
Paul Greengrass (United 93)
Werner Herzog (Rescue Dawn)
Terrence Malick (The Thin Red Line)

…thanks to these…

One day I will feature these songs in a movie. Why?

‘Cause I love the ’80s!

What’s that you say, birth certificate? I never experienced the ’80s? Ha! With nothing but Men at Work, Starship, and Genesis currently on my playlist, I submit that I AM the ’80s!

This weekend brought many things:

1. Newfound respect for Genesis’ greatest hits
2. Studying
3. Awesomeness singularly personified in the form of Robert Downey Jr.
4. Ice cream sandwiches
167. The realization that my blog sucks
168 (Edit). The apparent conviction that adding numbered lists to my blog makes it not suck

So, I’m changing things up, completely. No more arbitrary, lazily scribed reviews of new releases (well, at least not without the accompaniment of some broader social commentary, destined to be just as meaningful ineffectual as that which it replaces).

However, I refuse to not share a few thoughts on Iron Man.

Here are, verbatim, my spontaneous thoughts as I watched the film:

1. Robert Downey Jr. is awesome.
2. Who decided that this movie needed to be relevant?
3. Who decided that making this movie relevant required a Middle Eastern setting?
4. Has Gwyneth Paltrow been in any other movies recently? I don’t remember seeing her since, well, part of her was in a box.
5. Jeff Bridges’ performance is either the greatest thing ever… or a belated celebration of April Fools’ Day. No, wait; it’s both!
6. I am Iron Man.
7. Why would anyone sit through the credits when that lame scene is already on YouTube?
8. This entertained me, which is more than I can say for Spider-Man 1 & 2.

George Clooney is a man whose role in the public eye is mostly due to his charm and wit. However, Clooney consistently delivers solid performances, making up in charisma what they may lack in range. Most moviegoers are well aware of his talent as an actor, but I’ve been generally unimpressed by most of his work in that field. He’s undoubtedly fun to watch, and that works perfectly for his near Oscar-worthy turn in Ocean’s Eleven. In case you couldn’t tell by the apparent paradox I just presented, I’m completely mixed on him as an actor. That said, I respect him more than most men in Hollywood, almost entirely because he always chooses interesting roles and displays an unparalleled understanding and knowledge of cinema.

Leatherheads is his third directorial effort, a follow-up to his superb Good Night, and Good Luck. Much like that film, it exhibits love for a period in American history as well as for a certain style of film, screwball comedy in this case. It tells the tale of the legitimization of professional football in the mid-1920s, with Clooney playing Dodge Connelly, a reasonably talented player who seems to really believe in the game, or at least its potential for financial success. Renée Zellweger, in a turn as morally ambiguous reporter Lexie Littleton, again puts on a funny voice and just barely makes her character work with a quick tongue. Lastly, John Krasinski, finally taking a promising role, is young superstar Carter Rutherford, lured my Connelly to play for the defunct Duluth Bulldogs.

The weakest links are the supporting players, screenwriters, and editor. Jonathan Pryce as Rutherford’s agent falls flat, and the script, penned by two sportscasters, is somewhat of a structural mess. The editing, by the usually reliable Stephen Mirrione, doesn’t help matters, alternatively relying both too much and too little on the brilliant score by Randy Newman. Still, these remain minor problems until the third act, when the plot really kicks in and the film comes to a screeching halt.

What makes the film worth seeing is the swift dialogue, charm of the leads, and refreshing take on classic history and cinema. Clooney again displays an assured hand as a director, and though he can’t quite make the chemistry between himself and Zellweger work, all three leads are charming enough to sell their verbal banter. It’s a good-looking, good-sounding, good-feeling film that boldly relies on subtle comedy to sustain the audience. As much as I enjoy the raunchy, explicit gags of Judd Apatow, what I have really been longing for is a throwback to the quick-moving comedies of the 30s, 40s, and 50s. At that, this film delivers. B-